Dernières nouvelles du Cosmos / Latest News from the Cosmos

Hélène Nicolas is a severely autistic thirty-year-old woman who cannot
communicate verbally or hold a pen, let alone use a laptop. Yet she is also
an extraordinarily gifted writer under the pseudonym Babouillec, composing
startlingly original, lucid poetic texts with a set of cardboard letters provided
by her mother. This compelling documentary is an intimate portrait of Hélène
in everyday life and in rehearsals for a play based on her writings and directed
by major French theater director Pierre Meunier. It is also a portrait of her
mother, a woman who chose to give up her career as an equestrian to teach
her daughter to communicate and discovered when Hélène was twenty that
she could write perfectly grammatical, deeply poetic sentences despite the
fact that she had never been to school or read a book. Asked by a journalist
how she learned to write, Hélène answers: “By playing with each of the secret
places in my pickle of a brain.” While this heartening personal story is a deeply
enlightening study of autism, it is above all an endlessly fascinating meditation
on a mystery of cosmic proportions. Following School of Babel (Tournées Film
Festival 2016/2017), Latest News from the Cosmos confirms Julie Bertucelli’s
place as one of the great humanist documentary filmmakers of the moment,
a director committed to making ethical decisions while allowing the viewer
remarkably revealing access to her subjects.

Julie Bertuccelli

Julie Bertuccelli

Hélène Nicolas

105 min.
France, 2016
Blu-Ray, DCP, DVD

Icarus Films

$200 discounted Tournées Film
Festival rate for one screening


The first French film by Paul Verhoeven, the Dutch provocateur behind such
sneakily subversive Hollywood fare as Robocop and Basic Instinct, Elle is a work
of startling moral complexity, a constantly surprising narrative that provides
an in-depth, occasionally uncomfortable portrait of a well-do-do Paris woman
with more than a few secrets. The film begins when Michèle Leblanc, the coowner
of a successful video game company, is sexually assaulted by a masked
man in her own home. Through Michèle’s unusual response to her assault and
eventual discovery of the culprit, the viewer learns about her past and comes
to understand what has shaped her blunt, sometimes shocking personality.
Elle explores the dark, mystifying sides of the psyche, but with a light touch
and fast pace that allow Verhoeven to make the most of his characters’ comic
foibles. One only has to compare Elle’s bumbling men to its powerful heroine
to realize that this is a feminist film, one that furthers the discussion on rape
and trauma, but, most importantly, portrays women in positions of strength.
Nominated for a 2017 Academy Award for her work in Elle, Isabelle Huppert
delivers another brave, illuminating performance. As Verhoeven has stated
in interviews, one always sees what Michèle is thinking in Huppert’s eyes.
In a film that plumbs the depths of human complexity, this access to the
intricacies of the mind is nothing short of riveting.

Paul Verhoeven

David Birke
Based on the novel Oh…
by Philippe Djian

Isabelle Huppert
Laurent Lafitte
Anne Consigny
Charles Berling
Virginie Efira
Judith Magre

Psychological thriller
130 min.
France, Germany, 2016

Sony Pictures Classic


Examen d’État / National Diploma

In the Congo, passing the national baccalaureate exam can save a young
person from a life of manual labor and open the doors to university and a
career. To fail the exam is to be fated to struggle for survival through menial
work. As Congolese filmmaker Dieudo Hamadi’s documentary National
Diploma so powerfully shows, the path to success in the national exam is
full of challenges. We see a school principal come into a prep classroom and
summon those students who have not paid their fees to pay up now or leave.
Those who stay aren’t much better off: the teachers are striking because they
haven’t been paid. So an enterprising group of students rents a house to cram
for the exam. Yet Hamadi’s fly-on-the-wall camera reveals study methods that
are as surprising to Western eyes as they are endemic in the Congo: students
visit marabouts for medicinal plants, get preachers to bless their pens or
exorcize them, and, most importantly, pay recent graduates for cheat sheets.
Working in classic cinema vérité style, Hamadi follows the group of students
through the exam to the nerve-wracking announcement of the results,
providing an indelible portrait of the role of education in Congolese society.

Dieudo Hamadi

Dieudo Hamadi

Joël, Jonathan, Roger, Florence,

92 min.
Congo, France, 2014
Blu-Ray, DVD

Icarus Films

$200 discounted Tournées Film
Festival rate for one screening


Writer-director Philippe Faucon’s long-running project of making films
about those members of the French population traditionally left off-screen
reaches a state of grace in Fatima, perfectly balancing sharp observation
of the harsh realities of the immigrant experience with an inspiring story of
individual resilience. Fatima is a middle-aged, divorced Algerian woman living
in a French suburb, cleaning houses and offices from dawn to dusk to provide
her spirited teenage daughters with a better future. It takes a workplace
accident for Fatima to finally pay attention to her own needs and discover a
powerful means of expressing them through poetry. Working with tremendous
economy, Faucon brings the eye of an anthropologist and the feeling of a
true artist to a story that touches on a variety of essential issues: everyday
racism, illiteracy, the challenges of the French university system, and the
clash between traditional, older immigrant generations and their assimilating
children. Loosely based on a true story and featuring a superbly crafted, stoic
performance by real-life cleaning lady Soria Zeroual, Fatima was awarded the
French film industry’s two highest distinctions for 2015, the Prix Louis Delluc
and the César for best film of the year.

Philippe Faucon

Philippe Faucon, Aziza Boudjellal,
Mustapha Kharmoudi, Yasmina
Nini-Faucon, Fatima Elayoubi

Chawki Amari
Kenza Noah Aiche
Zita Hanrot
Soria Zeroual

French & Arabic
79 min.
France, 2016
Blu-Ray, DCP, DVD

Kino Lorber


Le Fils de Joseph / The Son of Joseph

American-born, Paris-based, and French through and through, eccentric
auteur Eugène Green follows his international breakthrough La Sapienza
with another story about the passing of knowledge and strength from one
generation to another—from older to younger, but also, and most importantly,
from younger to older. The Son of Joseph is a loose retelling of the Nativity set
in modern-day Paris, in a literary milieu depicted with a fiercely satirical touch.
Teenager Vincent lives alone with his mother Marie and has never known his
father. One day he discovers that the man who impregnated his mother is
Oscar Pormenor, a dissolute, elitist publisher played with comic gusto by the
great Mathieu Amalric. In trying and failing to approach his biological father,
Vincent meets Joseph, Oscar’s brother—the black sheep of the Pormenor
family, and a man of deep natural goodness. Vincent resolves to serve as
matchmaker to Joseph and his single mother Marie, thereby turning Joseph
into his father and creating an inspiring allegory that indicates that the man
can be made by the child and the family based on values rather than blood. The
Son of Joseph introduces the captivating Victor Ezenfis as Vincent, who joins
Eugène Green regulars Fabrizio Rongione and Natacha Régnier in performing
in Green’s signature affectless style, opening their faces to the viewer’s gaze
with a generosity that this spiritual filmmaker and warrior against cynicism
would certainly suggest is a view into their souls.

Eugene Green

Eugene Green

Victor Ezenfis
Natacha Régnier
Fabrizio Rongione
Mathieu Amalric

Comedy, Drama
115 min.
France, 2016
Blu-Ray, DCP, DVD

Kino Lorber


Fort Buchanan

Equal parts gender-bending and genre-bending, Fort Buchanan is the first
feature by Benjamin Crotty, a Paris-based American director who promises
to be a major voice in contemporary cinema. The film follows the loves and
losses of a group of army wives and husbands over four seasons, from the
autumnal grays of a French forest to the burning sun of a Middle Eastern
desert. Everything about this community of army spouses defies expectations:
American soldiers speak perfect French, their barracks look like boutique
hotels or utopian architectural experiments, a daughter beats her father,
and the male officers’ husbands seamlessly blend in with the army wives. Yet
underlying this fanciful remix of reality are subtle but steady reminders of
darker truths: American wars in the Middle East, global financial crisis, and
loneliness in the era of teleconferencing. Crotty achieved his delirious blend
of melancholy and camp comedy, soap opera narrative and arty conceit by
compiling and translating dialogue from American reality shows and shaping
it into a love story and character study influenced by great French naturalists
like Eric Rohmer. The result is genuinely one-of-a-kind, an inspiring indication
of the way ahead for queer cinema in an ever-more scrambled world.

Benjamin Crotty

Benjamin Crotty

Andy Gillet
Iliana Zabeth
Mati Diop
Judith Lou Lévy

Comedy, Drama
65 min.
France, Tunisia 2016
Blu-Ray, DVD

Grasshopper Film



Shortly after World War I, in a provincial German town conspicuously devoid
of its young men, Anna discovers a stranger at the grave of her late fiancé
Frantz, one of the thousands of young Germans killed in the war. The stranger
soon introduces himself to Anna and Frantz’s parents as Adrien, a French
friend of the dead soldier. Growing fond of Adrien, Anna begins to come out of
mourning for Frantz and once again embraces her future. Then Adrien makes
a terrible confession and disappears, forcing Anna to go searching for him
in Paris. With this stirring adaptation of Ernst Lubistch’s classic melodrama
Broken Lullaby, François Ozon, a master of cinematic dissemblance, delivers
a sumptuous period piece that asks whether a lie can ever be healthier than
the truth. Coming at a time when the European Union appears at its most
vulnerable, Frantz is also a meditation on Europe: Anna’s journey to France
mirrors Adrien’s to Germany, bridging the bloody differences between the
two nations in 1919 to show how much they have in common—as well as the
nagging strains of nationalism and xenophobia. But this lush romance filmed
in black and white and color is above all a profoundly unusual and effective
pacifist film, which—aside from one brief but devastating flashback—takes
place entirely after the war, surveying the human damage both on the winning
and the losing sides.

François Ozon

François Ozon

Pierre Niney
Paula Beer
Ernst Stötzner
Marie Gruber
Johann von Bülow
Anton von Lucke
Cyrielle Clair
Alice de Lencquesaing

French, German
113 min.
France, Germany, 2016
Blu-Ray, DCP, DVD

Music Box Films

DVD or Blu-Ray : $350
DCP : $500

Homeland: Irak année zéro / Homeland: Irak Year Zero

No matter how much they have read or seen about the situation in Iraq
since the US invasion in 2003, it is unlikely most American viewers will have
encountered anything like French-Iraqi director Abbas Fahdel’s Homeland:
Iraq, a monumental but startlingly intimate look at life in Baghdad and the
Iraqi countryside before and after the fall of Saddam Hussein. Filming his own
brothers and sisters and, most memorably, his vivacious young nephews and
nieces, Fahdel provides an unforgettable documentary portrait of everyday life
in the shadow of war. The film is divided into two feature-length parts: Before
the Fall follows the middle-class family’s preparations for war, while After
the Battle finds the director’s family members serving as guides through the
chaos of a post-invasion city in which ordinary citizens are caught between
a trigger-happy occupying force and unbridled violent crime. Fahdel is at his
most masterful in seamlessly weaving in history and providing context for the
tragedy of the Iraqi people: in the first part, the memory of the first Gulf War
is omnipresent, while in the second part, tongues are loosened by the fall of
Saddam and the terrible human cost of his regime is revealed. A heartrending
reminder of cinema’s ability to create empathy and understanding across
borders, Homeland: Iraq is as close as the movies come to providing the viewer
with a moral obligation to watch.

Abbas Fahdel

334 min.
Part 1 – Before the Fall: 160 min.
Part 2 – After the Battle: 174 min.
France, 2015
Blu-Ray, DCP, DVD

Kino Lorber


I Don’t Belong Anywhere: le cinéma de Chantal Akerman / I Don’t Belong Anywhere: The Cinema of Chantal Akerman

When Belgian writer-director Chantal Akerman died in the fall of 2015, the
outpouring of stricken tributes from around the world underlined that one of
the most significant artists of our era had passed, a filmmaker who had worked
so long and so steadily, in so many mediums and such different scales, that
her art may have come to be taken for granted. Some may know that Chantal
Akerman directed the landmark feature Jeanne Dielman in 1975, entering
film history at the age of 25 with a movie hailed as a feminist masterpiece,
but few, if any, could realize the extent of her achievement. With I Don’t
Belong Anywhere, Akerman’s close friend and collaborator Marianne Lambert
provides the first overall picture of her work, an ideal introduction to those
who have not yet discovered her films and a thought-provoking opportunity
to revisit and make new connections for those who have. Moving astutely
between extensive clips from the films and her own footage of Akerman in
conversation, Lambert identifies key themes—the lives of women, urban life
and exile, Judaism, the Holocaust, the United States and Russia—and creates
a portrait of the artist as a generous, strikingly intelligent woman. In allowing
us to hear once more from a filmmaker who refused all labels, I Don’t Belong
Anywhere is an invigorating reminder of art’s task to break down borders and
extend new frontiers.

Marianne Lambert

Luc Jabon & Marianne Lambert

Chantal Akerman

English, French
67 min.
Belgium, 2016
Blu-Ray, DCP, DVD

Icarus Films

$200 discounted Tournées Film
Festival rate for one screening
$150 discounted rate when booked
for a Tournées Film Festival program
as a double-feature with Chantal
Akerman’s “No Home Movie”

Louise en hiver / Louise by the Shore

When elderly widow Louise misses the last train out of the seaside resort
she usually summers in, she finds herself stranded in a ghost town of empty
buildings and waxing and waning tides. She soon becomes a genteel Robinson
Crusoe, building a hut on the beach and settling in with a raggedy talking dog
and the memories of her childhood. A rare example of animation primarily
aimed at an adult audience, Louise by the Shore has been compared in the
pages of French film journal Cahiers du Cinéma to an episode of The Twilight
Zone revisited by Jacques Tati (with a hint of Proust for good measure). But
this offbeat gem is truly one of a kind and a welcome reminder from French
veteran Jean-François Laguionie that animation can be a medium for quiet
lyricism and characters rarely given center stage in live action film. Voiced by
French theater star Dominique Frot’s scratchy, measured singsong, with an
evocative soundtrack of solo piano and occasional choral music, Louise by
the Shore is a delightfully tranquil meditation on solitude and the passage
of time, a profound antidote to the twenty-four-hour news cycle and other
contemporary torments. It is animated using an innovative combination of
traditional 2D animation and digital imaging to create the effect of gently but
constantly shifting watercolors, perfectly suited to this poetic fantasy of offseason
life by the sea.

Jean-François Laguionie

Jean-François Laguionie

Dominique Frot
Diane Dassigny
Tom Anthony
Jean-François Laguionie

75 min.
Canada, France, 2016
Blu-Ray, DCP, DVD

First Run Features

$350 – $500